X100VI

5 – Grand Central Terminal

I recently bought a new camera. My first in over 12 years.1 The new camera is a Fujifilm X100VI, the latest in their line of fixed lens travel cameras.

It’s a very different camera than what I’ve been shooting with, a still wonderful Nikon D800. I love the D800, but I wanted something smaller and less complicated. Something I can just throw in a bag and not worry about which lens to bring – and the bulk. The D800 with an 50mm lens is close to 2.6 pounds! The X100VI by comparion is 1.15 lbs.

I’m still wrapping my head around the new camera. Learning the menus and commands and getting comfortable with setting it up how I like it. I’ve gone on one long trip and captured a few decent photos.

I wanted to document a few of the things I’ve learned along the way. To help reflect and reset my expectations – and hopefully so others can learn from my experiences.

All images are taken with the X100VI. Edited RAW files in Apple Photos. Full gallery on Flickr

Setup Command Dial

Unsurprisingly, I’ve customized the front and rear command dials to work just like the D800 – Aperture on the front dial, shutter speed on the rear. ISO set to Auto or I use the dial for specific needs.

This video from JayRegular was really helpful in figuring this out. One note, from Jay in the comments, is really important!

“For everyone who cannot get the aperture dial to work when set to “A” go into menu > wrench icon > button dial setting > aperture ring setting (A) and set it to ‘command’ instead of ‘auto'”

I love how many Fn buttons there are on this little guy and have been playing around with them. I have even set the manual focus ring to switch between the 50mm and 70mm digital teleconverter. It’s like a zoom ring (but not)!

Use the EVF

It’s faster than the optical viewfinder and gives you a better representation of how your shot will look. Coming from a D800 this was a big change to get use to. After a few outings, I’m starting to appreciate it more. I like the idea of an optical viewfinder, but with the offset on the X100VI – and with an added lens hood – it’s almost useless.2

Speed Things Up

Get a good SD card. You don’t need a UHS-II card as the X100VI only supports UHS-I cards. However, if you do buy a card that is faster than what the camera can utilize, you can still benefit when transferring images from the SD card to a computer. For example my Mac’s SD card slot can utilize UHS-II speeds up to 312 MB/s. I picked up a Sandisk that has a read rating of about 200MB/s. For the first week I used an old 80MB/s SD card I had lying around and it was so slow to save and preview images.

New York City

In the power management settings there is an option called “boost”. Turn this on. It helps with focus and viewfinder display performance.3 Two of the most key aspects of nailing a shot.

If you’re worried about battery life, Wasabi Power makes a great replacement battery (x2) and a charger for like $30. Way cheaper than Fuji’s own battery and the charger can charge two batteries at the same time over USB-C.

This was a wild one to learn. By default the X100VI will use 2.4GHz wi-fi to transfer images to your smartphone. Switch the wi-fi to 5GHz for noticeably faster transfer speeds. 5GHz has been around for over a decade at this point. It should be the default to give a better user experience and it’s one setting that can be easily overlooked.

Chris Lee (pal2tech on YouTube) created a great beginners setup video for this camera. I learned of this tip and a few others from his videos. Go check them out.

Shoot in RAW

Even though my photo editing app of choice doesn’t support the latest RAW (.RAF) files from this camera (yet), I’m still shooting RAW. Storage space is cheap and I love being able to pull the most range out of the images I shoot. I find JPEG/HEIF images direct from the camera to have too much contrast. Here’s a subtle example between a HEIF version and RAW version of the same image. The RAW file was converted to DNG so I can edit. No other edits to the images, direct from the camera.

Notice how much darker the HEIF image is in the eye sockets. There’s no data there to pull from when editing.

Move with your feet

This is just general photography advice and more of a reminder for myself. For the last 12 years I’ve shot primarily with my D800 and a fixed prime lens. Either a 50mm or an 85mm (for portraits). I’m use to shooting with these longer focal length lenses. The 35mm equivalent on the X100 means I need to move in more often. Or, be mindful that with this camera that you’re going to capture more surrounding context than you would with a longer lens.

You can also fib this a bit with the X100VI. With a 40 megapixel image size, cropping by 50% still gives you a very usable 20 megapixel image. I’m not a purist! Do both if that’s what works for you.

OUTATIME

Trust in the Force IBIS

This is the first camera I’ve used that has in body image stabilization. I shoot mostly handheld and would never go below the reciprocal rule when shooting. So if I was shooting with my 85mm I would never go below ~1/100th of a second shutter speed. The resulting image, no how hard I tried to control my stance, grip, and breathing, would result in a blurry image.

New York City

But oh boy, the X100VI has five-axis stabilization. I can take a sharp photo, handheld, at a shutter speed far lower than the focal length. I’ve been able to get a few great shots at 1/25 and 1/15. That is pure magic. I’m having to learn that I have this new superpower and where its limits lie, but so far I’m really enjoying it. When I remember I can do it!

The wonderful Dave Etchells from Imaging Resource has this surprisingly in-depth interview with Hisashi Takeuchi from Olympus on how this all works. Fascinating stuff.

Conclusion

I’m heading out on another trip soon. This one a little longer and varied than the last. I’m hoping to have more to share and I’ll update this post if I come across any other tidbits that I think might be useful. Thanks for reading and please share your own tips in the comments and check out more of my photos on Flickr.

See also

Michael E. Koerner

Michael Koerner was my dad. That’s hard to write. “Was”. There’s not much new to be said about the death of a loved one after centuries of human experience, especially those who are the closest to our hearts. But that’s what I’m going to do, because this is my dad. And I loved him.

August 6, 1951 – January 3, 20244

My dad and I in San Diego, 2022

My dad was born in St. Louis, Missouri on August 6th, 1951. The internet says it was a Monday, and hot (92ºF). He doesn’t remember that. He grew up in south St. Louis City, Affton, and was the second oldest of four children. His parents worked hard to provide a safe and loving home and they did. Something that we Koerners continue to strive for today. He had a typical lower-to-middle-class upbringing. Running around the neighborhood getting up to no good, cooling off on the porch roof on a hot summer night. Hanging out with his younger brother Greg. Grandma, Georgia, never learned to drive, having access to public transportation – and Grandpa, Christ, did own a car and would take her wherever she needed. They both worked and cared for their children.

After high school he tried college. Forest Park Community College, but ended up joining the Navy. He spent a few years aboard the USS Reasoner. Even after only serving four years, he had a lifetime of stories to tell. About the people he met and befriended and the places he saw. Southern California – where he met his first wife and my mother, Carla, Vietnam and the Philippines, Washington state and even a little bit of Alaska, by way of motorcycle. 

My dad on his trip from San Diego to Alaska

Oh I should mention motorcycles – or really my father’s love for anything with wheels and a motor. 

A car aficionado since childhood, my father could look at nearly any vehicle on the road (or often in a parking lot at a local car show) and tell you numerous indelible things about the construction, performance, and culture around it. If it has a 404 (a size of motor), but came from the factory with a 306, he’d know what make and trim and year and…well, you get the picture. He was at every Easter Car Show in Forest Park for the last 30 some odd years. Even the little local ones every month, April through October. 

My dad at a car show with his good friend Marty. Explaining something about a car. 🙂

Mike, sorry, Michael – he was big on proper names5, not that he ever chided anyone for shortening them – spent his forty-something years of employment working in warehouses and mailrooms in higher education institutions. First at Washington University’s Central Stores, and later Saint Louis University. He worked hard and smart. Never making a trip back-and-forth empty-handed.

He defied the oft too common stereotypes of a motorcycle-riding, blue collar worker by being a fan of the arts. Which makes sense when you work for universities I suppose. Nah, my dad was just a voracious learner, a critical thinker, a common sense maker. A set of skills that continue to be passed down. 

My dad and I out at the farm

He was kind and loving. You couldn’t get off the phone without saying, “I love you too”, and even in my teenage years – and much to my chagrin – I always appreciated the affection he shared with me and many others. He showed up so many times throughout my life – all the way up until the end. He always told me how much he was proud of me. 

He adored being a dad and eventually a grandfather, lovingly known as Pop. Pop attended every dance recital, choir and orchestra concert, soccer game, and numerous other events his granddaughters do. Most recently he helped his oldest granddaughter Kari complete her Eagle Project. He welcomed my wife of now 20 years, Jackie, with such admiration and care that she was taken aback by the first hug and has loved every one since. 

Pop and the family

My dad was an avid reader. Of sci-fi, westerns, fantasy – anything with a good story and quick-witted dialog. He even started writing a few of his own stories, unpublished, but loved. 

He loved the movies. Film was a big way he and I bonded. Sharing the experience of being in front of a big screen and kibitzing afterword about the plot and characters and special effects. Oh, and going back to the mistaken stereotype, my dad loved the theatre. His favorite show was Mama Mia. A musical based on ABBA songs! I think he’d seen it enough times that they could have asked him up on stage to fill in as an understudy. We loved the Fabulous Fox Theatre and the hundreds of experiences of a live performance. A many blessed memories with the Vogelsangs (his godmother Martha and cousin Pat) and many others.

Education was crucial to my father. Working at universities (and being aware of the world) he always drove home the importance of being open-minded and continually learning. He worked these physically demanding, not very well paying jobs, so I could go to school. My going to college was very important to him – that I could have, and succeed, in a life better than the one he had. 

They say a way to a man’s heart is through his stomach and that has never been more true than with my father. He loved to try a new place to eat, to take us out for a casual burger, and to enjoy a home cooked meal. He stuck to the more traditional fare, but he never turned down trying something new. 

Never quite a trendsetter, my dad is proceeded in departing this life by his parents, Georgia and Christian, his brother, Gregory and sister, Barbara. He leaves behind a sister, Helen. He is proud of his son Christopher, his wife Jackie, and their two daughters, Kari and Kori. As we were of him. 

Kori, Pop, and Kari at the Garden Glow, 2023

To tell a story is to have one’s memory live forever. Please watch a film with a loved one and tell a story or two. Pick up a good book and read it aloud to someone. Travel. Go someplace new, even if it’s just a restaurant across town. 

If you’re interested, my dad asked that donations be made to the Ronald McDonald House Charities of St. Louis.

He didn’t want a funeral or a burial ceremony. “None of that dreary stuff”, he said. I don’t think he’d want a traditional obituary either, hence, the more casual and conversational tone in this one. Something I think my father was known for. If you want to pay a visit, he is interred at Jefferson Barracks National Cemetery.

A gathering will be held in the near future to celebrate his life. Where we can come together and share stories of him.

Our bikes during a ride together6

You Should Watch a Four Hour Video on YouTube about Plagiarism on YouTube

Wow. I watched this across multiple sessions and it was worth every minute. It’s a well-researched and engaging essay by hbomberguy, an essayist known for his really in-depth videos. This video starts talking about examples of people taking verbatim from other writers and creators with no care for proper credit or respect. Then it gets really deep into one incredibly unfortunate instance.

As an aside to the main narrative of the video, I think it also hits on the importance of digital literacy and critical thinking skills. If the average person can’t separate the cheap knock-off shit from actual work then we’re doomed. We’ll learn things that are not true by people who appear as educators but are actually charlatans. It’s hard to unlearn things and this grifter-level shit just makes it harder to have a shared understanding of a topic.

The people being called out in this video themselves don’t appear to know (or maybe they do know, which is even worse) how actual research and citation works! They just want to make a quick buck. Ugh.

I’m going to sound like an old man, but what if young, impressionable, people are watching this? Do they grow up thinking this is how it’s done? Where, like, they might think plagiarism is just how you get by and everybody does it so it’s OK. Are they even aware they’re being fed BS? I wonder if this sort of lazy work reinforces the roundabout logic of “my side can’t win so I reject reality” we see so often when folks are presented with information that contradicts their understanding.

The whole thing boils down to if you don’t understand how to cite your work, you end up making a bad book report.